Hobo 23 :: Gregory Fitzsimmons

Gregory Fitzsimmons is an interdisciplinary artist who maps states of mind, places, and identities based on research into theories of conscience and Buddhist contemplatives practices. He has an MFA from the School of the Art Institute of Chicago, teaches at City Colleges of Chicago and has worked in community/social practice for public and private institutions.

I like to think of my role as an artist as being similar to the role a yogi or a monk might play in an older traditional culture. It’s a practice based in compassion so the sharing of its content and production is a way of- hopefully- teaching or, at least, of giving others a hint towards their own attempts to transcend our 24/7 late-capitalist suffering.

Using art-making as a spiritual practice becomes a means for me to carve out a place outside of what feels like an increasingly disfunctional and compassionless social system and to collaborate with others who also want to transcend the cycling trap of interconnected buying-working-marketing-selling. 

Portfolio

Current:

Visual Dharma Poems
Osel of My Eye
TAWIL PRESS books

2018-2024:
Maps Of the Ancient Sea Kings
Uss Gallery Collaborations

2012-2016
Swan My Mother Said

2014
Driver's License Self Portrait

2013
In Security

2012
Read-Dunning

2010-2016:
Moving Images

2009-2013:
Stereo Figurative Work

2005-2010:
Merzwalk
Reverse Rorschak Paintings
The Land of E Pluribis Unum

early 2000s:
Word and figure paintings and drawings
Social interventions

1990s
Postal: utilizing mail art and other networks,
including chapbooks, drawings and collages, 
and noise/field recordings
distributed via independent DIY formats

Social Sculpture: activism and
inteventions with the West Town Tenants 
Union and Temporary Autonomous Zone in Chicago,
via street art, performace and a Situationist-inspired newspaper
the West Town Free Press.